| Augusta |
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| Video installation 2008 |
| Evergreen |
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| Video installation 2006 |
| Il Facchino |
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| Video installation 2006 |
| Red Poppies |
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| Video installation 2006 |
| Spiral |
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| Sculptural Water Art 2006 |
| Confer |
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| Video installation 2006 |
| Approach |
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| Video installation 2005 |
| Postcard |
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| Single Channel Video 2004 |
| Span |
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| Video projections 2003 |
| Up |
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| Video projection 2003 |
| Earthsculpture |
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| Earthsculpture 2001 |
| VILLAR |
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| Video installation 2001 |
| En Face |
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| Slides 1999 |
| Skanderborg |
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| Sculpture 1998 |
| Sculpture with Wall |
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| Sculpture 1998 |
| NoMadLand |
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| Sound installation 1998 |
| NoMad |
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| Video installation 1998 |
| Transit |
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| Video installation 1997 |
| Crowds |
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| Video installation 1997 |
| Nini |
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| Billboard project 1996 |
| MTG |
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| sound installation 1994 |
| NineNow |
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| Sound sculpture 1993 |
| Point |
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| Sound sculpture 1993 |
| Many and One #2 |
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| 1991 |
| No Title |
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| 1990 |
| Multi media |
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| Sculpture 1990 |
| Port |
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| 1989 |
| Blockade |
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| 1989 |
| Augusta Video installation, 2008 more info | |
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This project aims to give Augusta a glimpse of her Greenlandic family and at the same time produce a living portrait that places the family in the Greenlandic landscape, but, as the video shows, the weather is an incalculable factor. |
| Evergreen Video installation, 2006 more info | |
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The video installation "Evergreen" is about the power of the group and about the cruelty inherent in us that can mercilessly exclude an individual from the group. This is set in the overwhelming and beautiful landscape of the Faeroe Islands. |
| Il Facchino Video installation, 2006 more info | |
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The living image of the Roman fountain Il Facchino from Via Lata in Rome hangs in the dark night of the Danish capital accompanied by the sound of quietly running water. |
| Red Poppies Video installation, 2006 more info | |
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It's almost too beautiful. The red poppies in the wheat field swaying gently in the wind, the buzz of insects and birdsong. |
| Spiral Sculptural Water Art, 2006 more info | |
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From the earliest days the spiral has been used as a symbol, as a sign for change, growth and development. In her Sculptural Water Art Eva Koch has chosen to use the spiral to symbolise the function of the site, a place of learning. |
| Confer Video installation, 2006 more info | |
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Eva Koch's video installation Confer consists of two projections set opposite each other. On one projection we see a contrabass, which is filmed so close up that the instrument seems to be physically present. On the other projection we follow a helicopter against the background of a lightly clouded sky. There is no immediate encounter between the two pictures, a contrabass and a helicopter. |
| Approach Video installation, 2005 more info | |
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A video installation about communication. The sound track and the visuals tell the same story, but in different languages, the spoken and sign language. Caught between these two languages, we are in a field of interpretation. Even though we speak the same language, it is not given that we understand the same thing. |
| Postcard Single Channel Video, 2004 more info | |
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The lone experienced traveller who in the midst of the monotony of a journey on the Trans-Siberian Railway invites you to hear the tale of one of the many incidents he experienced along the way. |
| Span Video projections, 2003 more info | |
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The project is a video work, divided between two blocks with each locality showing an extreme point of the 'same' story. The video sequences are projected directly onto the outer walls and can be seen from dusk to sunrise. The work establishes a special experiential space as darkness falls. |
| Up Video projection, 2003 more info | |
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Eva Koch's video installation UP is a loop that shows people coming up out of a subterranean shaft. As a projection it has a diameter of about 60 cm. Projected onto a street or pavement where many people pass by in the course of the day, it will provide a moment of surprise, a little intervention that some will pass by with a quick glance, while others may pause for a moment to wonder what is going on. |
| Earthsculpture Earthsculpture, 2001 more info | |
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The project consists of an approximately 30-metre high mound with a diameter of about 280 metres. Inside the mound at surface level there are 19 domed lights, each with a diameter of 2.6 metres. Every time a vehicle passes, a flash is activated. |
| VILLAR Video installation, 2001 more info | |
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During the Spanish Civil War in the 1930s in the remote mountain village of Villar del Cobo, the children of the Martinez Lopez family were separated from each other. Their father had died some years earlier, and when their mother, Manuela, was hospitalized for a time, two of the children, Ernesto and Cristobalina, were placed in a childrens home in a nearby town. Before their mother was able to bring the two children home again, Cristobalina was adopted by a Norwegian relief worker. |
| En Face Slides, 1999 more info | |
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The source of material was family photos from the 1960. Eva Koch used slides put into sequences and with emphasis upon certain details. The slides were shown from three dia carousels placed in the middle of the room, changing continuously. The series had titles as "In Spain", "Between Sea and Sky" and "Portrait". |
| Skanderborg Sculpture, 1998 more info | |
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The sculpture is made of polished bronze and is more than 300 meters long, stretching from Algade to Skanderborg Lake. 300 meters is the actual distance from one end to the other of the sculpture, which in fact only appears in larger or smaller fragments. |
| Sculpture with Wall Sculpture, 1998 more info | |
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In Sculpture with Wall it is the wall that functions as a plinth with the segment of a circle apparently breaking through a wall. Looking from either side of the wall one sees only a bronze form, two bronze surfaces. Only when the observer unites the two views in his mind, does the actual form of the work emerge: a section or a fragment of a circle. As is the case with virtually all Eva Koch's works, it is the observer who synthesises the work, the observer who, so to speak, become the place where the work comes into being. |
| NoMadLand Sound installation, 1998 more info | |
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A garland around a large department store whispering NoMadLand. No mad land or nomad land? And doubt spread, for why this conjuration? And when one had squeezed ones way out of the absorbent mass of jostling bodies inside, the fragile human voice insisting on civilization as opposed to the oblivious inferno from which one had just emerged seemed sinister, almost prophetic. |
| NoMad Video installation, 1998 more info | |
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On a thin line, a narrow mole extended between sky and sea, human figures walk and walk. Their passage is not without risk. Powerful waves are constantly crashing on the mole, sweeping over the mole and the walkers. |
| Transit Video installation, 1997 more info | |
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The video Transit is about being on one's way, 'in the gap', between here and there. Transit means the state of being moved. |
| Crowds Video installation, 1997 more info | |
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In "Crowds", the large video installation from 1997, Eva Koch has placed herself in the middle of the crowd of three major cities: Jerusalem, Bombay and Hong Kong, and allowed the camera to roll. The video images are projected onto three large walls, so that you are almost surrounded by them. |
| Nini Billboard project, 1996 more info | |
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The project was shown as a series of billboards using the same medium as advertising communication in modern urban life. The series presents a portrait series of Nini Haslund Gleditsch, who is wellknown in Norway for her lifelong political commitment and her work for peace. |
| MTG sound installation, 1994 more info | |
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Mind the Gap" was housed in one of the small pavilions bordering Kings Garden in Copenhagen. The room was bare. Empty and white, but at the same time filled with a strong light and sound. The empty space, the space that can never be entered, since it would no longer be empty, was ominous, singing a deep tone so that the building was almost resonant with it. |
| NineNow Sound sculpture, 1993 more info | |
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Eva Koch makes a "now", pronounced in 9 different languages, spring from point to point. |
| Point Sound sculpture, 1993 more info | |
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The sound sculpture in 1993 on Vilhelm Thomsens Plads in Valby is formed as the top of a sphere. A mat, black dome breaking free of the earths grasp or a sinking globe. Slightly dangerous, but at the same time a calm and stable element in contrast to the restless surroundings. Placed in a square in the urban space the sculpture establishes a centre around which the space gathers. |
| Many and One #2 , 1991 more info | |
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| No Title , 1990 more info | |
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If the top of a sphere becomes sufficiently small, it is no longer defined as part of a sphere, but as a point. In Eva Kochs work these points can appear as markers in a field of images taken from the uninterrupted outpourings of TV, as in the untitled work exhibited at Brandts Klædefabrik in 1993. |
| Multi media Sculpture, 1990 more info | |
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Double spiral of aluminium sheets. In one room there is a hallogene lamp, 1000 w, in the other there are 2 video channels One showing glimpses of world events and the other showing a street over 24 hours. |
| Port , 1989 more info | |
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| Blockade , 1989 more info | |
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